Project III - Dematerializing architecture

2002-2003
collective housing
(unfinished academic project)

Arrival. Departure. Intermodal station.
The identification with the places of passage.
The velocity of relations.
The sympathy with strangers.
The occasion friends.
Routines to win the urban monotony.

The places where the Past has no space.
The spaces where the History is protagonist.

Because the Present is always a transition between Past and Future.
Because contemporary society behaves as a child: only the new toy is important, and this is easily replaced.
History has to have its own place, just like it has to exist a space where it can be forgotten.
Because the world percentage of urban population increases in detriment of the rural one.
Because the terrestrial surface is also an exhaustible resource.

Velocity is a consumer good not yet democratized in the Portuguese Northwest territory.
The alternative does not exist.
Guimarães is still an industrial city: it lacks services.

There is a space, previously rural, that with the introduction of an urban highway became a peri-urban wasteland.
Because the city has to be decentralized.
Because the topography is moldable at any scale.


The "loft" and the patio house are the models most ambitious for any real estate.
A house that is not sold is a city space waiting to be inhabited.
The owners of a good that cannot sell are always forced to lower the price for it to unravel.
A house that cannot be sold is a nuisance to society.

Through the analysis of the positioning of the lot in relation to the territory, it became imperative that there would emerge a new scale of relationship with topography, a filter, a dematerialization of architecture.

It is the city entrance door. One side rural and disperse, the other compact and polite, favorable to the encounter.











Project III - "A city is never finished" - Joan Busquets

2002/2003
house & garden for 2 artists in Serralves Park (Oporto)

Today we live no more the house: this is a shelter. We also do not live the working place: it is a passage point. Today we live the city.

Through this logic and, according to what the program asked, it is necessary the creation of a shelter with which the occupying artist identifies himself in a way even more temporary than with his home. Therefore, and seeing that this is a changing territory, in which a new living scale imposes, it is imperative to give a new scale to the concept of living to reproduce and, reproduce the exterior world in the interior of the shelter: bring the scale of the city to the interior of the house, giving it an exterior aspect of more than two houses one house for two persons and a frontal visual relation for a distant exterior.
The working space is the motto to the occupation of the shelter, then, it is the starting point to the entrance in the house. For the artist that will occupy one of these shelters, it is given the possibility to have the relaxing space – living – separated from the working space – working – and, however, near this (like it should be in a city). In one of the shelters that separation is created through the keeping of the living body in a higher plan, completely closed to the noises of machines programmed to perform certain tasks, and smells coming from the working space; in the other shelter that separation is made by the simple physical distancing between spaces, since that shelter is a path.
The space immediately exterior to the common shelter gives the possibility of being a mutual working place, a reunion point for the two artists, just like the patio of a Japanese house it is to its inhabitants, but in this case that reproduction of the nature changes place with the house, passing the exterior to the interior and the interior to the exterior. This garden becomes a filter of the extra-walls world, it is in this space that the reproduction of the exterior world starts, or ends.





Architecture for Humanity - chapter Lisboa


logo for chapter Lisboa - competition
2012
"See Lisboa"

The drawing is a plan of Lisbon configured with an eye,
which is pretended to be active, critic,
interventionist in the poli-centralities of Lisbon.



Architecture for Humanity - Project for the new entrance of APAV (Lisbon)

2012
Broken Mirror vs Constructed Mirror

We are our mirror. Society welcomes the state of mind we project towards it. When society breaks us, we need a help to join the pieces and be able to see ourselves as a whole again. APAV has the responsibility to give dignity to society’s broken mirrors. APAV converts the broken mirror into a constructed mirror. The mirror is constructed by parts. APAV generates unity.




Europan 11 - Reims, France - competition

"Bouger le Silence"
"To Move the Silence"
2011

Silence is like a sound wave.
It propels through the space, like a cloud.
It is possible it conglomerates with other clouds.
Sound & Silence travel through Space.
Is it possible to create sound free zones?



caixinha - little box

metal box of 450 mm x 330 mm x 100 mm





DPA - Dominique Perrault Architecture

16th March 2010
to
13th August 2010


DPA - Dominique Perrault Architecture
(note: participation only on technical drawings and models)

(participation under a Special Confidentiality Agreement)









- competition for a University Campus at the Fort of Amiens - France




BVAU - Bartolo Villemard Architecture Urbanisme

1st September 2009
to
28th February 2010

(note: participation only on technical drawings and models)

- Siège de la Caisse des Français à l'Étranger - Rubelles - France
Details and Development of the Project for the Headquarters for the French at Overseas Fund



- Résidence des Internes de l'Hôpital de Meaux - France
Won Competition for the Interns Residence at Meaux Hospital



- Service de gériatrie, stérilisation et administration pour le Centre Hospitalier de Montargis - France
Won Competition for the Extension of the Geriatrics, Sterilization and Administration Service for the Montargis Hospital Centre



- Résidence pour les personnes âgées - Brie-Comte-Robert - France
Competition for the Residence for the elderly


Projecto V

2007/2008
cruzamento
crossing
croisement


- work divided in three parts: Analysis (group of 4 students), Strategy (first approach – group of 4; study deepening – group of 2), and Proposal (group of 2)
- vast territory rarefied from Guimarães to Vizela, deepening a part
- water line, railway line, road EN, secondary road parallel to the EN
Strategy:
- proposal to treat the territory fertilizing it by its vocations
- transversal path defined by an existing bridge, with intentions of structuring, connects the road EN to the secondary road parallel to the EN permitting  the connection of the two extremes of the valley (pretension to hierarchize and strengthen in order to become structuring with the help of lines of trees along the path)
- agriculture to the water line; construction and movement zone to the roads (hierarchizing them through spaces with different characters)
Proposal:
- pulling (from the terrain): housing lots + agriculture, both defined by vineyard modules (secondary road parallel to the EN), associated to a school
- placing: offices + collective housing + services dependents from the movement zone (road EN), associated to a factory recovered to market
- unlevel: agricultural space reliant on the water line, associated, by continuity, to a path that accompanies the railway barrier; on the other side of the railway also an interior path supporting the constructions reliant on the road EN and to the multi-uses new square associated to the large scale factory that upholds; transversality of the bridge marked by the continuity of the line of trees of great span



Projecto IV

2006/2007
biblioteca da Universidade do Minho - pólo de Azurém
Minho University's Library - Azurém's campus
Bibliothèque de l’Université du Minho - campus de Azurém


- program pretension to the library to have a urban character serving not only the university campus but also the city
- the campus stretches out through a valley, having construction on the North hill and a garden on the South hill – connected to the castle’s gardens (being able to choose to implant the building wherever I wanted, I opted to close the construction area by North and East, taking advantage of a plan already approved for that zone of the campus)
- the building proposes to create a retreated square; an exterior living place to the new users of this campus zone, in harmony with the garden that occupies the other side of the valley; the interior composes by a peripheral private strip and a public zone on the centre, living from that various uses agglutinator courtyard
- there are three moments in the building’s fruition: the courtyard, the entrance and the reading room; from these three it’s possible to accede to all building’s spaces
- in the lower level an L composes spaces with different scales – the small scale rests hidden in a wood wall (in L – private) and a big open-space arises turned to the courtyard, prolonging the inner uses to the exterior
- in the upper level a big open-space arises with three boxes (audiovisual rooms and entrance stairs – while the audiovisuals are dark spaces, the entrance stairs arise in a light well)
- in the North top the building brakes the terrain with the passives deposit distributed by both levels on a double height space
- roofing lowers on circulation paths in the reading room to allow light entrance through translucid glass and to mark heights difference between circulation and living; light comes from above
- in the exterior facades an horizontal rip warrants the surrounding landscape dominium, while the interior orients the sights to the inner courtyard



Projecto III

2003/2004
casasdensas - habitação colectiva
densehouses - colective housing
maisonsdenses - logement collectif


- program pretension of 54 flats and 20 work units
- program: T1 of 50m2, T2 of 100m2, T3 of 150m2 and T4 of 200m2
- scale articulation from barrio with a garden (between high elevation – stop, rest, contemplation – and lower elevation of constant passage of people and cars – link between barrio nucleus and road E.N. 206)
- maintaining the rural memory of the place with its stone walls, and preserving its marks of a peregrination path, one entangles parallelepipeds on the terrain and, by supporting walls, one creates new public spaces; buildings hang from the supporting walls setting free the ground level to accommodate the arrival and parking space
- central corridors at all the buildings longitude terminate in living rooms that tear the buildings transversely
- neutrality of spaces (private zones and common zones do not distinguish by their dimensions, but by their use or strategical positioning towards the entrance and services zone)
- flats transversal space loose the building density permitting, sometimes, to see through the front building, by the layout of living rooms one in front of the other